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Painting: Kestenlandschaft mit Hafen

Painting ID: 69081

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Paul Bril Kestenlandschaft mit Hafen

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Paul Bril:
Flemish Baroque Era Painter, ca.1554-1626 Paul (1554-1626) and Mattheus (1550-1583) Brill (or Bril) were brothers, both born in Antwerp, who were landscape painters who worked in Rome after earning papal favor. They are also described as painters of capricci (whims or fancies) or vedute ideate or veduta di fantasia, with typical rustic hills with a few ruins. Mattheus began work on several frescoes in Rome from 1570 onwards, and his work includes the Vatican Seasons. Mattheus died young, and his brother continued his work around 1574. Paul painted frescoes such as the landscapes in the Casino Rospigliosi (Rome), and The Roman Forum, which showed this site for what it had become: a slum for squatters and pasture for livestock (so much so that the place was nicknamed Campo Vaccino, or The Cowfield). His masterpiece may be a fresco in the Clementine Hall of the Vatican. Paul also did engravings and small cabinet paintings on copper, some of which are signed with a pair of spectacles (a pun on the French word brilles, spectacles). Some of these were collaborations with Johann Rottenhammer, who according to a dealer letter of 1617 painted the figures in Venice and then sent the plates to Rome for Bril to complete the landscape. He collaborated with his friend Adam Elsheimer, who he both influenced and was influenced by, on one painting (now Chatsworth House)

Related Paintings to Paul Bril :.
| Frans van Mieris the Elder - A Woman in a Red Jacket feeding a Parrot | George Inness (1825-1894)-Lake Albano | Pierre Mignard I -- Pan and Syrinx | John Constable (25) | Govaert Flinck -- Landscape with Tombstone and Ruins | | Ascent of the Balloon in the Presence of Charles IV and his Court | Rinaldo und Armida werden von Ubaldo und Carlo uberrascht | Arab or Arabic people and life. Orientalism oil paintings 367 | vigselakten ikungliga kapellet i st james palace mellan drottning victoria och prins albert. | Self-portrait |


 


 

 

 

 

 

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Paul Bril